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HISTORY OF BIJAPUR

Bijapur Before Adil Shahs
The Adil Shahi Empire
Yusuf 'Adil Khan
Isma'il Adil Khan
Mallu Adil Khan
Ibrahim Adil Shah I
Ali Adil Shah I
Ibrahim 'Adil Shah II
Muhammad Adil Shah
Ali Adil Shah II
Siknader Adil Shah
Auragzeb Invades Bijapur
The Fall of Adil Shahi Era
   
INDO ISLAMIC ARCH.

Monoments of Bijapur
Fort of Bijapur
Water Works in Bijapur
Mosques of Bijapur
Malik Sandal Architect
   
DECCANI ART ,POETRY
 
Bijapur Art History
Deccani Painting
Production of Miniature Paint
Islamic Caliography
Literature and Poetry
   
BIJAPUR CENTER OF MUSIC
 
Center for Music
Yousef Adil Khan a Composer
Ismail Adil Shah a Musician
Ibrahim Adil Shah & Music
The Philosophy of Navurus
Naursupur- City of Music
Kitab-E-Naurus Muci Book
Dhrupad
Rangmala Musical painting
   
METAL WORK
 
Metal & Crafts
About Fathullah Shirazi
Origin of Bidari works
   
ROLE OF RELIGION
 


Relics of Prophet Muhammad (PBUH)in Bijapur
SUFFIS of Bijapur

   
BRAVE ADILSHAHI WOMEN
 
Woman's Role in AdilShahi Dynesty
Punji Khatoon - First Lady
Chand Bibi Sultana
Ramha Symbol of Eternal love
Marium Sultana daughter of Yousef Adil Shah
   
MEDCINE AND SURGERY
 
Use of SUSRUTA
Traces of Great Ancient India Surgical practice in Bijapur
   
TEXTILE & JEWELLERY
 
Atire and Dresses
Head gears and Caps
Adil Shahi Ethnic Jwellery
Woman's Wear
Kalamkari Work of Print Art

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ADIL SHAHI COINAGE
 
Coins of Adil Shahi Kings
Gold Coins - Silver Larin
   
ADIL SHAHI EDUCATION
 
Foundation of Deccani Education
AdilShahs & Education
Astronomical Study
Architectural Study
Womens Education
The Madrasa Education
Deccan School of Arts
Medicinal Study
Adil Shahi Library
   
TRAVELLERS RECORDS
 
Ferishta Muhammad Kasim

Ibn-e-Batuta
Abdul Raazak
Richard Maxwell Eaton
Cousens Henry
   
GOA OFADIL SHAHS
 
The rise and fall of Adil Shahs in Goa
The monoments of Adil Shahi Era in Goa
The Adil Shahi Fort
Afonso de Albuquerque
The destruction of Adil Shahi - Monoments
   
VIJAYNAGAR RISE & FALL
 
The Rise of Vijay Nagar
The Allies of Five Bahmani Kingdoms
The Final War of Talikota
The Fall of VijaNagar Empire
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REFRENCES / LEGAL
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Historical Books
Online Resources (websites)
Museums
Disclamier
Copy Rights & Legal Issues

 
GOLGUMBAD

 



GolGumbad/Boli Gumbad,GolGumbaz,Whizpering Gallery,GolGumatta are the names of this monoments.


Panaromic Views of this Wonder of the World Monument - A World Heritage Site


If you take a
take a trip to Bijapur, the medieval walled city in northern Karnataka dominated by the Golgumbaz. The echoing gigantic/domed mausoleum built three and half centuries ago may well be one of world's most well known monuments. Bijapur, was a capital for almost two centuries of one of the most powerful Deccan kingdoms that challenged the Mughal empire (before capitulating to Aurangzeb in 1686, is a city brimming with monuments. The walled city spread on 253,000 km still retains a quaint, almost medieval character. Ancient structures with cupolas and minarets peep out of every street corner, women sell vegetables or just gossip in the precincts of grand historical buildings, even a few government offices function out of some of these partly ruined structures. Bijapur isn’t awed by its history; it lives with it. The city has over 50 major mosques and some 20 palaces, mostly ruined, and a host of tombs and other structures. It has been called the Agra of the South. or we can say Agra can be calle Bijapur of North India.


From left The Roof top outer gallery and right side the Magnificiant Main entrance door

Gol (Round) Gumbad (Dome) Gol Gumbaz
or GolGumbad is the mausoleum of Muhammad Adil Shah II (1627-57). He was from the Adil Shahi Kingdoms. The tomb, located in the city of Bijapur, southern India, was built in 1659 by the famous architect, Yaqut of Dabul. The structure consists of a massive square chamber measuring nearly 50 m on each side and covered by a huge dome 37.9 m in diameter making it the largest dome in the Islamic world. It appears to have been the desire of the ruler to build a mausoleum that was comparable to that of his father, Ibrahim Adil Shah II. Since his father's mausoleum, known as the Ibrahim Rauza, was exceptional in composition and decoration, the only means of avoiding direct competition was through size. It is one of the biggest single chamber structures in the world and covers an area of 18,225 square feet (1,693 square meters), which is bigger than the better known Pantheon in Rome which is 14,996 square feet (1,393 square meters).


The mausoleum is part of a complex that includes a mosque, a Musafir Khana(Lodge, inn for travelers) and other buildings Nakar Khana, A Mosque, Qaurters, Horse stable, related to the sovereign's mausoleum. The building was never properly completed as intended since construction began towards the end of Muhammad Adil Shah's reign. As a result, the tomb is a plain cube with towers on each corner. Built of dark grey basalt and decorated plaster, the walls are nine feet (2.7 meters) thick and 100 feet (30.5 meters) in height. The interior measures 135 feet (41 meters) on each side. Each exterior face of the cube displays three great blind arches. The central arch is wider than the others and is dressed with wooden panels with small rectangular entrance and three rows of arched windows punched through. Above the south door or main entrance, hanging from a chain from the cornice, is a 'bijli patthar' (meteorite) that is said to have fallen during Muhammad Adil's reign. It's believed the stone guards the tomb from lighting.


Left: People inside the Golgumbad dome Called whispering gallery [note in the braket].
Right: a fine morter design on outer wall of the Golgumbad just above the arch


The cornice and parapet of the cube is the most articulated feature of the façade. The cornice rests on highly carved stone corbels that project about ten feet (three meters) from the wall. The cornice supports the parapet which has a row of arched openings and leaf-shaped merlons. In the center of the tomb chamber is a platform with the cenotaphs of Muhammad Adil, his youngest wife Arus Bibi, his favorite daughter and a grandson. The main cenotaph is marked by an elaborate wooden baldachin. The real tombs are located below in the basement and are accessed by a staircase under the western entrance. An octagonal chamber was attached to the central arch of the north façade at a much later date. According to some the octagonal chamber was meant to shelter the remains of Jahan Begum, wife of Muhammad Adil, but this would have been contrary to the convention of the wife's grave situated next to the husband's. Most likely, it could have been for the spiritual mentor of Muhammad Adil. The corner towers are incongruous with the rest of the mausoleum composition. They are divided into seven floors with a projecting cornice and a row of arched openings marking each level. Combined, the towers resemble Chinese pagodas more than minarets. Each tower is then capped by a majestic hemispheric dome with a ring of carved leaves around the base.

GolGumbad Blue print in a non scale design

The mausoleum is crowned by a massive dome. At the base of the dome elegant carved petals cover the drum. The exterior diameter is almost 133 feet (44 meters) and reaches a height of 90 feet (27.4 meters) from a circular platform. Total exterior height from ground level is 198 feet (60 meters). The dome rests on a unique pendentive system. It is a system of intersecting arches that was not used anywhere else in India. The only other commonly known instance was in the Great Mosque of Cordoba. The eight high pointed arches intersect in the interior of the cube at regular intervals and on their points rests the high circular platform with an opening of 96 feet (29.5 meters) in diameter. The inner surface of the dome overlaps the edge of the circle by about 13 feet (four meters) so that part of the weight falls on the intersecting arches that bear and neutralize any other exterior forces. The dome is built of horizontal courses of brick with a flat section at its crown. It is cemented with lime and reaches a thickness of 12 feet (3.5 meters). There are six openings at its base.


GolGumbad - world's only biggest dome and roof standing tall since Nearly 450 years needs
Attention/Recognition and a palace in wonders of the wolrd and get listed as Heritage monoment

An interesting discovery was made in the basement of a very strong circular foundation that matched the circular opening of the dome above. It, however, supports only a platform and a light wooden pavilion. One explanation could be that the original plan may have been based on the conventional mausoleum plan of a small domed chamber surrounded by an open arcade and that it was not until the foundation had been completed that the king or architect thought of resting the dome upon the outer walls, thereby enlarging the volume of dome several times. Another interesting feature of the mausoleum is the gallery around the base of the dome that hangs out about 11 feet (3.54 meters). It is accessed through the winding staircase in the four towers. It is known as the whispering gallery because the sound reflections from the dome allow the slightest of whisper can be heard even when standing cross the dome from each other.This mausoleum is one of the Bijapur's main architectural treasures.

Despite its incomplete condition, the sheer majesty of the structure renders visitors awestruck. The towers with their hemispherical domes, the carved petal borders and parapet give the building an exoticism that blends with monumentality and prevents this building from becoming just another building emulating classic Mughal architecture. A building that inspires admiration for its boldness would most definitely have been a spectacular experiment in completion. Octagonal seven-storey towers stand attached to the four corners of the building, and it’s through the steep spiralling staircase of one of these that you reach the terrace from which the famed Whispering Gallery inside the mausoleum can be accessed.

it is the most famous building in South Asia. Gol" means "round" and "Gumbaz" came from "Gumbad" meaning "dome" or "domed building", so the name merely suggests "round domed building". What should be further stressed about the remains is the elaborate technique used at the time. The great dome supporting the large tombchamber is a rare case anywhere in the world. As mentioned before, in the period of the Adil Shah Dynasty in Bijapur, construction of great mausoleums became the trend. Engineers and Architects believe that itshould be emphasized that the level of the technique to construct the building has endured until today.

Also you would like to Read:
Adil Shahi Bijapur Jamia Masjid
Ibrahim Rouza

For References plase visit Refrence Page

Sources:
Alfieri, Bianca Maria. 2000. Islamic Architecture of the Indian Subcontinent. London: Laurence King Publishing,
Verma, D.C. 1990. Social, Economic and Cultural History of Bijapur. Delhi: Idarah-i Adabiyat-i Dehli,
Volwahsen, Andreas and Henri Stierlin (Ed.). 199-. Islamic India. Lausanne, Germany: Benedikt Taschen Verlag GmbH, 86, 87, 88.


 

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